Sunday, November 15, 2009

Field of Sycamores in Autumn


This painting was inspired by the monthly challenge in the Landscape forum of the Wetcanvas artist's website. One of the photos has an open field with dry grass with some hills and trees on the right and a smaller, closer tree on the left. I tweaked it a bit, making the trees more distinctive; the larger trees on the left are sycamores (with their distinctive bright and mottled bark), while the distant trees have a mix of red and yellow to draw the eye into the painting.

Acrylic painting 14" x 17"

Monday, October 26, 2009

Forest Path in Autumn


Here's another autumn scene: a quiet path through the woods as the leaves change colors in the crisp fall air. When painting this, I thought of the red-orange trees as some species of oak, while the yellow ones are hickories, though most any trees of the right autumn colors would work. This is a timely painting since the autumn colors are peaking about now as they do most years from the end of October into early November. The color is quite good this year, though the rainy weekends have cut down on how often I can get out into the woods. Thankfully, this past Sunday was beautiful and perfect for a walk down a path like this one.

"Forest Path in Autumn"

Acrylic painting, 14" x 17"

Monday, October 12, 2009

Autumn Barn by the Road


Here's my latest painting, based upon one of the photographs for the October Landscape Challenge at the WetCanvas Landscape forum. The original barn is somewhere in Upstate New York, I believe, which is a beautiful part of the country.

The key to this painting was the multiple layers of color glazed over each other to create variegated autumn foliage on the trees and even in the grass. Distance regression - where the far away trees and barn have lower contrast and fewer details - was also important since there's a lot of open space in this painting between the background woods and the foreground trees.

I had another pleasant surprise while painting this one, as my brother and sister-in- law visited me on their way back from a wedding in Virginia. The painting still needed the last highlights and shadows added in when they arrived, but they liked it anyway, and even took a few of my other paintings back home with them. Publicity is good, and what's the point in painting if you can't share the results with others! Thank heavens for the internet since that makes it a lot easier.

"Autumn Barn by the Road"

Acrylic Painting 14" x 17" (framed, SOLD)


Sunday, September 27, 2009

Ahwahnee Meadow, sunrise


A few years back, while wandering around the internet, I happened to find an amazing webcam in Yosemite National Park. This webcam looks out across Ahwahnee Meadow, towards the mountains and typically provides a clear view of a beautiful region of the park.

One morning, I was fortune enough to visit the webcam during a golden sunrise, with clouds rolling down and through the shadowed mountains and mist in the field. I knew I had to paint this image at some point, and here it is. The foreground trees - large, old conifers of some sort - were added in to give a sense of scale to the meadow through use of an interesting foreground. They also let me get in some dark values to balance out the glowing sky. Enjoy!

"Ahwahnee Meadow at Sunrise"

Acrylic painting, 14" x 17"

Sunday, September 6, 2009

Storm over a Mountain Lake



Here's another summer scene - storm clouds pass between distant mountains while sunlight falls on old conifers by a large lake. The weather in the mountains can be violent and unpredictable, but also beautiful.

Painting mountains is still a challenge, as are exposed rocks. It may be a case of "paint what you know" in that there are no mountains or exposed cliff faces here in Maryland, so I only have photos to use as a reference. Still, I think this one turned out pretty well.

"Storm Over a Mountain Lake"

Acrylic painting 14" x 17"

Sunday, August 9, 2009

After the summer rain...



Here's my latest landscape painting - it's a view across the far-away plains near a grove of trees. In the distance, storm clouds can be seen, and they've already passed overheard, leaving behind puddles in the marshy area beneath the hillside.

This painting had a few new experiments: the raised foreground hill and low horizon make the sky the key aspect of the painting. It also has a lot of "nothing" in it that goes all the way to the horizon; this can be challenging to paint since the regression must be done correctly (colors and details fade away, etc.) Also, this is the first time I've tried rain puddles - I think they turned out well. The key thing is to make sure the puddles (which can be treated like small lakes) are in a muddy-looking part of the ground. Otherwise, they look strange sitting in the middle of green grass.

"After the Summer Rain"

Acrylic painting, 14" x 17"

Sunday, July 26, 2009

Downs Memorial Park by the Bay



One of my favorite local parks to visit is Downs Memorial Park, which lies on the western shore of the Chesapeake Bay. This park has over 200 acres of forests and trails, as well as a large shore along the Bay with grassy areas and benches available so one can spend an afternoon looking out across the Bay, watching ships pass by in the distance.

Autumn is one of the best times to visit this park since it is full of trees that change interesting colors: chestnut oaks turn bronze, sweetgums change from orange to wine or rust red, and hickories turn golden hues. A good number of trees grow right down by the water on small raised embankments. From these areas, one can stand in the shade and look out across the water, as seen in this painting looking southward from the water's edge under a group of trees. In the distance, you can make out the far shore of the Bay across the waters.

"Downs Park in Fall by the Bay"

Acrylic painting, 14" x 17"