Sunday, July 7, 2019

Grand Canyon overlook pines



In early June of this year, I went on a fun, guided tour through gAdventures and National Geographic (their "Discover American Canyonlands" tour), and we got to see: Zion, Bryce Canyon, Antelope Canyon, and the Grand Canyon. Inevitably, this led me to try to paint what I saw, which is no easy task. In the west, the landscapes are beautiful, but unforgiving to paint.

This particularly painting started out with a beautiful sky, but quickly turned to disaster. I had made the cardinal error of trying to paint a scene with the light behind me, as was in the reference photo I took. Normally, such a lighting choice is just a bad idea, but when painting canyons, it turns the landscape into a maze of impossible to define shapes – a tangle of light and shadow that easily turns into gibberish when painted. Humbled by the created mess, I painted over nearly the entire canyon with the purple-grey shadow color, and went off to the internet to do some research. There, I found paintings from people with impossible levels of skill who could actually paint the Grand Canyon with the light over their shoulder and with every rock defined, but I needed some ideas more to my skill level. Eventually, I turned to a classic technique and swung the light around to the left and lower in the sky. This allowed me to define each mesa and butte with simple light and shadow while at the same time provided some more interesting colors to the scene.

In the end, I think this painting turned out reasonably well, but it’s hard to say for sure. The Grand Canyon is so large, complex, and challenging to paint – I came up with something decent after plenty of mistakes, but I’ll have to revisit this place in a future painting to see what I else I can do with it.

Acrylic painting: 14” x 17”